值得背誦的考研閱讀真題十四

            雕龍文庫 分享 時間: 收藏本文

            值得背誦的考研閱讀真題十四

              Why do so many Americans distrust what they read in their newspapers? The American Society of Newspaper Editors is trying to answer this painful question. The organization is deep into a long self-analysis known as the journalism credibility project.

              Sad to say, this project has turned out to be mostly low-level findings about factual errors and spelling and grammar mistakes, combined with lots of head-scratching puzzlement about what in the world those readers really want.

              But the sources of distrust go way deeper. Most journalists learn to see the world through a set of standard templates into which they plug each days events. In other words, there is a conventional story line in the newsroom culture that provides a backbone and a ready-made narrative structure for otherwise confusing news.

              There exists a social and cultural disconnect between journalists and their readers, which helps explain why the standard templates of the newsroom seem alien to many readers. In a recent survey, questionnaires were sent to reporters in five middle-size cities around the country, plus one large metropolitan area. Then residents in these communities were phoned at random and asked the same questions.

              Replies show that compared with other Americans, journalists are more likely to live in upscale neighborhoods, have maids, own Mercedeses, and trade stocks, and theyre less likely to go to church, do volunteer work, or put down roots in a community.

              Reporters tend to be part of a broadly defined social and cultural elite, so their work tends to reflect the conventional values of this elite. The astonishing distrust of the news media isnt rooted in inaccuracy or poor reportorial skills but in the daily clash of world views between reporters and their readers.

              This is an explosive situation for any industry, particularly a declining one. Here is a troubled business that keeps hiring employees whose attitudes vastly annoy the customers. Then it sponsors lots of symposiums and a credibility project dedicated to wondering why customers are annoyed and fleeing in large numbers. But it never seems to get around to noticing the cultural and class biases that so many former buyers are complaining about. If it did, it would open up its diversity program, now focused narrowly on race and gender, and look for reporters who differ broadly by outlook, values, education, and class.

              

              Why do so many Americans distrust what they read in their newspapers? The American Society of Newspaper Editors is trying to answer this painful question. The organization is deep into a long self-analysis known as the journalism credibility project.

              Sad to say, this project has turned out to be mostly low-level findings about factual errors and spelling and grammar mistakes, combined with lots of head-scratching puzzlement about what in the world those readers really want.

              But the sources of distrust go way deeper. Most journalists learn to see the world through a set of standard templates into which they plug each days events. In other words, there is a conventional story line in the newsroom culture that provides a backbone and a ready-made narrative structure for otherwise confusing news.

              There exists a social and cultural disconnect between journalists and their readers, which helps explain why the standard templates of the newsroom seem alien to many readers. In a recent survey, questionnaires were sent to reporters in five middle-size cities around the country, plus one large metropolitan area. Then residents in these communities were phoned at random and asked the same questions.

              Replies show that compared with other Americans, journalists are more likely to live in upscale neighborhoods, have maids, own Mercedeses, and trade stocks, and theyre less likely to go to church, do volunteer work, or put down roots in a community.

              Reporters tend to be part of a broadly defined social and cultural elite, so their work tends to reflect the conventional values of this elite. The astonishing distrust of the news media isnt rooted in inaccuracy or poor reportorial skills but in the daily clash of world views between reporters and their readers.

              This is an explosive situation for any industry, particularly a declining one. Here is a troubled business that keeps hiring employees whose attitudes vastly annoy the customers. Then it sponsors lots of symposiums and a credibility project dedicated to wondering why customers are annoyed and fleeing in large numbers. But it never seems to get around to noticing the cultural and class biases that so many former buyers are complaining about. If it did, it would open up its diversity program, now focused narrowly on race and gender, and look for reporters who differ broadly by outlook, values, education, and class.

              

            主站蜘蛛池模板: 精品国产AⅤ一区二区三区4区| 无码视频免费一区二三区| 综合无码一区二区三区四区五区| 日本一区二区三区日本免费| 亚洲一区二区三区电影| 乱人伦一区二区三区| 国产午夜精品一区二区三区极品| 日韩人妻不卡一区二区三区 | 国产成人高清精品一区二区三区| 亚洲一区中文字幕在线电影网 | 3d动漫精品啪啪一区二区中| 国产在线无码一区二区三区视频 | 国语精品一区二区三区| 久久一区二区三区免费| 国产精品免费大片一区二区| 国产成人精品视频一区| 日本一区二区三区精品视频| 国产伦精品一区二区三区精品| 精品无码国产AV一区二区三区| 中文精品一区二区三区四区 | 国产一区二区三区在线免费 | 99久久精品国产高清一区二区 | 亚洲一区二区精品视频| 国产午夜精品一区二区三区小说| 国产中的精品一区的| 日韩精品无码久久一区二区三| 一区二区三区日本电影| 久久99久久无码毛片一区二区| 中文字幕在线无码一区二区三区| 波多野结衣免费一区视频| 无码av免费一区二区三区| 中文字幕日韩一区| 国产福利酱国产一区二区| 天堂成人一区二区三区| 日本免费精品一区二区三区| 国产在线精品一区免费香蕉| 中文字幕久久久久一区| 人妻AV中文字幕一区二区三区| 中文字幕日韩一区二区不卡| 美女免费视频一区二区| 美女啪啪一区二区三区|