2023復習正在如火如荼的進行中，考研專家建議可以按考研題型分別進行重點復習，是考研英語中分值最高的，在線小編特地整理了2023理解模擬試題供大家模擬練習，希望大家認真做題，錯題著重看解析及譯文，經過練習閱讀理解能力必能有所提高。 　　十、小說真相 　　Nadine Gordimer has never written an autobiography or produced testimonies. She works in the imaginative dimension, always on an expedition into the mysteries of human experience. She does not appear armed and dangerous, as her friend Ronnie Kasrils, one-time terrorist, later cabinet minister, was described by the police as late as 1992; but, in fact, she is, for hardly anyone has so vividly alerted the world to how apartheid undermined relations between people and made innocence criminal. 　　Nothing I say in essays and articles will be as true as my fiction, she stated in an interview in Transition. Because fiction is a disguise, it can encompass all the things that go unsaid among other people and in yourself... There is always, subconsciously, some kind of self-censorship in nonfiction. She added that, in a certain sense, a writer is selected by her subject, which is the consciousness of her own era. 　　Today, Nadine Gordimer lives and writes in a half-formed society of a kind almost never before seen on earth. Black and white have agreed to bring about a multiracial democracy by their faith as much as by their work. But the present stems from the past, and apartheids contempt for human life now expresses itself in street killings, and armed robbery. 　　Gordimers territory has always been the border between private emotions and external forces. There are no neutral zones where people can rest unobserved. In a land of lies, everyone lives a double life. Only love stands for a sort of liberty, the glimpse of a more truthful existence. Outside the lovers chamber, there is a society, greedy, immoral where empathy and responsibility for others, whatever skin colour, are rare. Thus, every meeting becomes instrumental or absurd. In many of her stories, Gordimer reminds us that the future of South Africa is not only a question of votes for all but one that requires immense effort to create a civil spirit, allowing people to look each other in the eye. 　　The responsibility of love and the loss of understanding, the loss of a grip on the world that comes with the end of love, are central themes in all of Gordimers books. She is a moralist of a kind Alfred Nobel would have approved. She finds an uncommitted life not worth living. Her revolutionaries or human rights lawyers may have agonising personal problems, but they do not give up. In her later novels, there are people with energy and vision, as well as those who see nothing clearly the former women, the latter often men. Gordimer seems to keep her characters at a distance in order to maintain a sense of the unknowable. Then one may discover, as Andr Brink says, that ones very attempt at understanding or confronting the mystery opens up spaces of awareness one has not suspected before. Her true concerns reach beyond issues of the time to test the limits of human relationships and of language itself _____. 　　1. It is true of Nadine Gordimer that . 　　[A] she is a politician and enthusiastic opponent of apartheid [B] her work is of moral force but lacking in imagination 　　[C] she has kept the true face of racism in front of us [D] her work presents the portrait of the development of South Africa 　　2. To which of the following statements would Nadine Gordimer be least likely to agree? 　　[A] Violence should be used during the anti-apartheid struggle. [B] Novels are freer in expression and more faithful to truth. 　　[C] Spritual equality is as important as political equality. [D] A writer is influenced by the context in which he or she is. 　　3. By the present stems from the past, the author means _____. 　　[A] apartheids injustice still bring about social crimes today [B] South Africa is on the journey towards a multiracial democracy 　　[C]multiracial democracy can help solve complex society problems [D] the influence of racism shows sign of increasing 　　4. What are the central themes of Gordimers works? 　　[A] The racism and democracy of South Africa. [B] The relations between blacks and whites. 　　[C] The growth of black consciousness. [D] Impacts of politics on the personal emotions. 　　5. Gordimers main characters seem to be _____. 　　[A] the oppressed blacks [B] resolute political fighters [C] men of extraordinary intelligence [D] short-sighted women 　　答案：1.C 2.A 3.A 4.D 5.B 　　核心詞匯和超綱詞匯 　　testimony證據、證明;證詞，證言;口供 　　expedition遠征，探險，考察，如to go on an ~ to the North Pole 　　apartheid種族隔離 　　encompass包圍，環繞，包含或包括某事物 　　censorship審查機構，審查制度;censor檢查，審查 　　glimpse一瞥，一看;短暫的感受，如a fascinating ~ into life in the ocean 　　instrumental器具的;作為手段[工具]的;有幫助的，起作用的 　　grip緊抓;控制，影響;理解，了解 lose ones grip on sth.失去理解 　　uncommitted不承擔義務的，不受約束的;committed承擔義務的; 忠于既定立場的，堅定的 　　agonising煩惱的，苦悶的;agonise苦苦思索，焦慮不已 　　全文翻譯 　　娜汀?葛蒂瑪從來不寫自傳或者創作評述文章。她在想象的空間創作，一直在探索人類之神秘體驗。她不像她的朋友羅烈?卡斯瑞斯那樣看起來武裝的、危險的。羅烈.卡斯瑞斯到1992年時被警察描述成以前的恐怖主義者，后來的內閣大臣。然而事實上，幾乎沒有人像葛蒂瑪這樣如此鮮明地警告世界，種族隔離是怎樣破壞了人們之間的關系并制造了無辜的犯人。 　　娜汀?葛蒂瑪在Transition的一次采訪中聲明：我的隨筆和文章中的內容都不像我的小說那樣真實。因為小說是一個偽裝物，它能夠包含所有其他人和你自己沒有說出口的所有事情。在非小說作品中卻有一種無意識的自我審查。娜汀?葛蒂瑪語氣肯定地補充道，作家的主題，即她所處時代的意識，選擇作家。 　　今天，娜汀?葛蒂瑪在一個幾乎沒在地球上出現過的半成形的社會里生活并創作。黑人和白人已經同意以他們的信念和努力建立多民族的民主。但是現在源于過去，種族隔離對人類生命的歧視現在仍以街道謀殺和持槍搶劫的形式出現。 　　娜汀?葛蒂瑪的創作領域一直處于個人情緒和外在因素的分界線，沒有可以讓人不被覺察的中立領域。在謊言的國度中，每個人都過著雙面的生活。只有愛代表著某種自由，以及對更真實的存在的短暫感受。在愛人的房間之外，是一個貪婪和邪惡的社會，在這個社會中，對任何膚色的他人的同情和責任感都是罕見的。因此，所有的會面都成了意義重大或可笑的行為。葛蒂瑪在她的許多小說中都提醒我們，南非的未來不僅僅是所有人都具有選舉權的問題，而且要求付出極大的努力創造一種公民精神，使人們能夠互相坦然地正視。 　　愛的責任和理解能力的丟失，對愛走到盡頭的世界的無能為力，都是葛蒂瑪作品的中心主題。她是一個阿爾弗雷德?諾貝爾都會同意的道德家。她發現不承擔義務的生命是不值得生存的。她的革命者和人權辯護者可能會有苦悶的個人問題，但是他們并不放棄。在她后來的作品中，有力量和遠見兼備的人，也有一些什么也看不清楚的人，前者指女性，后者多指男性。葛蒂瑪似乎與她的人物保持一段距離，以便保持不知情的狀態。然后如同安德烈?布林克所說的那樣，人們可能發現：人們都試圖理解或者面對神秘敞開的人們從未懷疑過的意識空間。她真摯的關注超越了用時間來檢驗人類關系和語言本身的界限。

　　2023復習正在如火如荼的進行中，考研專家建議可以按考研題型分別進行重點復習，是考研英語中分值最高的，在線小編特地整理了2023理解模擬試題供大家模擬練習，希望大家認真做題，錯題著重看解析及譯文，經過練習閱讀理解能力必能有所提高。 　　十、小說真相 　　Nadine Gordimer has never written an autobiography or produced testimonies. She works in the imaginative dimension, always on an expedition into the mysteries of human experience. She does not appear armed and dangerous, as her friend Ronnie Kasrils, one-time terrorist, later cabinet minister, was described by the police as late as 1992; but, in fact, she is, for hardly anyone has so vividly alerted the world to how apartheid undermined relations between people and made innocence criminal. 　　Nothing I say in essays and articles will be as true as my fiction, she stated in an interview in Transition. Because fiction is a disguise, it can encompass all the things that go unsaid among other people and in yourself... There is always, subconsciously, some kind of self-censorship in nonfiction. She added that, in a certain sense, a writer is selected by her subject, which is the consciousness of her own era. 　　Today, Nadine Gordimer lives and writes in a half-formed society of a kind almost never before seen on earth. Black and white have agreed to bring about a multiracial democracy by their faith as much as by their work. But the present stems from the past, and apartheids contempt for human life now expresses itself in street killings, and armed robbery. 　　Gordimers territory has always been the border between private emotions and external forces. There are no neutral zones where people can rest unobserved. In a land of lies, everyone lives a double life. Only love stands for a sort of liberty, the glimpse of a more truthful existence. Outside the lovers chamber, there is a society, greedy, immoral where empathy and responsibility for others, whatever skin colour, are rare. Thus, every meeting becomes instrumental or absurd. In many of her stories, Gordimer reminds us that the future of South Africa is not only a question of votes for all but one that requires immense effort to create a civil spirit, allowing people to look each other in the eye. 　　The responsibility of love and the loss of understanding, the loss of a grip on the world that comes with the end of love, are central themes in all of Gordimers books. She is a moralist of a kind Alfred Nobel would have approved. She finds an uncommitted life not worth living. Her revolutionaries or human rights lawyers may have agonising personal problems, but they do not give up. In her later novels, there are people with energy and vision, as well as those who see nothing clearly the former women, the latter often men. Gordimer seems to keep her characters at a distance in order to maintain a sense of the unknowable. Then one may discover, as Andr Brink says, that ones very attempt at understanding or confronting the mystery opens up spaces of awareness one has not suspected before. Her true concerns reach beyond issues of the time to test the limits of human relationships and of language itself _____. 　　1. It is true of Nadine Gordimer that . 　　[A] she is a politician and enthusiastic opponent of apartheid [B] her work is of moral force but lacking in imagination 　　[C] she has kept the true face of racism in front of us [D] her work presents the portrait of the development of South Africa 　　2. To which of the following statements would Nadine Gordimer be least likely to agree? 　　[A] Violence should be used during the anti-apartheid struggle. [B] Novels are freer in expression and more faithful to truth. 　　[C] Spritual equality is as important as political equality. [D] A writer is influenced by the context in which he or she is. 　　3. By the present stems from the past, the author means _____. 　　[A] apartheids injustice still bring about social crimes today [B] South Africa is on the journey towards a multiracial democracy 　　[C]multiracial democracy can help solve complex society problems [D] the influence of racism shows sign of increasing 　　4. What are the central themes of Gordimers works? 　　[A] The racism and democracy of South Africa. [B] The relations between blacks and whites. 　　[C] The growth of black consciousness. [D] Impacts of politics on the personal emotions. 　　5. Gordimers main characters seem to be _____. 　　[A] the oppressed blacks [B] resolute political fighters [C] men of extraordinary intelligence [D] short-sighted women 　　答案：1.C 2.A 3.A 4.D 5.B 　　核心詞匯和超綱詞匯 　　testimony證據、證明;證詞，證言;口供 　　expedition遠征，探險，考察，如to go on an ~ to the North Pole 　　apartheid種族隔離 　　encompass包圍，環繞，包含或包括某事物 　　censorship審查機構，審查制度;censor檢查，審查 　　glimpse一瞥，一看;短暫的感受，如a fascinating ~ into life in the ocean 　　instrumental器具的;作為手段[工具]的;有幫助的，起作用的 　　grip緊抓;控制，影響;理解，了解 lose ones grip on sth.失去理解 　　uncommitted不承擔義務的，不受約束的;committed承擔義務的; 忠于既定立場的，堅定的 　　agonising煩惱的，苦悶的;agonise苦苦思索，焦慮不已 　　全文翻譯 　　娜汀?葛蒂瑪從來不寫自傳或者創作評述文章。她在想象的空間創作，一直在探索人類之神秘體驗。她不像她的朋友羅烈?卡斯瑞斯那樣看起來武裝的、危險的。羅烈.卡斯瑞斯到1992年時被警察描述成以前的恐怖主義者，后來的內閣大臣。然而事實上，幾乎沒有人像葛蒂瑪這樣如此鮮明地警告世界，種族隔離是怎樣破壞了人們之間的關系并制造了無辜的犯人。 　　娜汀?葛蒂瑪在Transition的一次采訪中聲明：我的隨筆和文章中的內容都不像我的小說那樣真實。因為小說是一個偽裝物，它能夠包含所有其他人和你自己沒有說出口的所有事情。在非小說作品中卻有一種無意識的自我審查。娜汀?葛蒂瑪語氣肯定地補充道，作家的主題，即她所處時代的意識，選擇作家。 　　今天，娜汀?葛蒂瑪在一個幾乎沒在地球上出現過的半成形的社會里生活并創作。黑人和白人已經同意以他們的信念和努力建立多民族的民主。但是現在源于過去，種族隔離對人類生命的歧視現在仍以街道謀殺和持槍搶劫的形式出現。 　　娜汀?葛蒂瑪的創作領域一直處于個人情緒和外在因素的分界線，沒有可以讓人不被覺察的中立領域。在謊言的國度中，每個人都過著雙面的生活。只有愛代表著某種自由，以及對更真實的存在的短暫感受。在愛人的房間之外，是一個貪婪和邪惡的社會，在這個社會中，對任何膚色的他人的同情和責任感都是罕見的。因此，所有的會面都成了意義重大或可笑的行為。葛蒂瑪在她的許多小說中都提醒我們，南非的未來不僅僅是所有人都具有選舉權的問題，而且要求付出極大的努力創造一種公民精神，使人們能夠互相坦然地正視。 　　愛的責任和理解能力的丟失，對愛走到盡頭的世界的無能為力，都是葛蒂瑪作品的中心主題。她是一個阿爾弗雷德?諾貝爾都會同意的道德家。她發現不承擔義務的生命是不值得生存的。她的革命者和人權辯護者可能會有苦悶的個人問題，但是他們并不放棄。在她后來的作品中，有力量和遠見兼備的人，也有一些什么也看不清楚的人，前者指女性，后者多指男性。葛蒂瑪似乎與她的人物保持一段距離，以便保持不知情的狀態。然后如同安德烈?布林克所說的那樣，人們可能發現：人們都試圖理解或者面對神秘敞開的人們從未懷疑過的意識空間。她真摯的關注超越了用時間來檢驗人類關系和語言本身的界限。