《為奴二十年》：橫掃各大頒獎(jiǎng)典禮的秘密
在剛剛落幕的奧斯卡頒獎(jiǎng)禮上，《為奴十二年》成為眾望所歸的大贏家。這部講述美國(guó)一段黑暗歷史的電影到底有何魅力，可以橫掃各大頒獎(jiǎng)禮?且聽分解。
after sweeping the award season for best picture titles, 12 years a slave’s win at the 86th academy awards on march 2 was certainly one of the most unsurprising moments of the night.
在橫掃各大電影頒獎(jiǎng)禮、拿下多項(xiàng)最佳影片封號(hào)之后，影片《為奴十二年》毫無(wú)懸念成為3月2日晚第86屆奧斯卡金像獎(jiǎng)上的大贏家。
but there must have been enough reasons why the film captivated the oscar judges and millions of viewers around the world.
而從許多方面來(lái)說(shuō)，該片都足以令?yuàn)W斯卡評(píng)委和全球觀眾心悅誠(chéng)服。
based on the 1853 memoir of solomon northup, an educated (black) freeman from new york who endured a nightmare of involuntary servitude after being kidnapped, 12 years a slave is a beautiful film about one of the ugliest and most shameful chapters of american history.
該片根據(jù)所羅門?諾瑟普1853年創(chuàng)作的自傳體小說(shuō)改編而成，故事中一位來(lái)自紐約、受過(guò)教育的自由黑人在被誘拐綁架之后，開始了噩夢(mèng)般的奴隸生涯。這部制作精良的影片揭示出美國(guó)最黑暗、最可恥的一段歷史。
different from movies such as lincoln (2024), the biopic about the man who changed the face of slavery, and django unchained (2024), a revenge fantasy in which the oppressed slave prevails over his oppressors, 12 years a slave tells a story of suffering and survival, in an honest and believable manner and with cold, dark details we rarely see on screen.
與講述林肯改變奴隸命運(yùn)的傳記片《林肯》(2024年)，以及講述黑人奴隸戰(zhàn)勝壓迫者的復(fù)仇傳奇《被解救的姜戈》不同，《為奴十二年》用一種誠(chéng)懇可信的態(tài)度以及銀幕上少見的陰暗冰冷的情節(jié)，講述了一個(gè)受難與生存的故事。
the closest comparison may be schindler’s list (1993), with its complete immersion into a historical tragedy, bringing the unspeakable into discussion.
與該片最為相似的當(dāng)屬1993年上映的《辛德勒的名單》，該片完全沉浸在歷史悲劇之中，探討了那種無(wú)法言表的苦痛。
director steve mcqueen’s images have a magic power that doesn’t allow audiences to feel comfortable for even a second. the actors, including chiwetel ejiofor as northup, lupita nyong’o as patsey, and michael fassbender as slave owner edwin epps, help construct the film’s emotional ladders.
導(dǎo)演史蒂夫?麥奎因的鏡頭仿佛有種魔力，使觀眾無(wú)時(shí)無(wú)刻不感到壓抑。包括切瓦特?埃加福特(飾演諾瑟普)、露皮塔?尼永奧(飾演佩茜)和邁克爾?法斯賓德(飾演奴隸主埃德溫?耶普斯)在內(nèi)的演員憑借高超演技將劇情一步步推向一個(gè)又一個(gè)情感高潮。
at its most profound, 12 years a slave is a captivating study of physical isolation and humanity at its most vulnerable and implacable, as ejiofor masterfully portrays northup’s fight to retain his dignity and identity.
從最深層次來(lái)看，《為奴十二年》的魅力在于它探討了種族隔離與人性是如何不堪一擊、不可調(diào)和。埃加福特精彩地演繹了為維護(hù)身份與尊嚴(yán)而奮起反抗的諾瑟普一角。
by the time you get to the last scene of the film, when a stunned northup comes home to his wife and now grown-up children after a dozen years of hard labor and captivity, he seems to have forgotten what freedom feels like. it’s probably the unhappiest happy ending i’ve ever seen, because for a moment you weep not just for this one man’s destiny but also for all those men and women who never knew freedom in the first place.
影片最后一幕中，諾瑟普在經(jīng)歷了12年的奴役生活之后，最終與妻子和已成年的孩子們團(tuán)圓，不知所措的他似乎已經(jīng)忘了自由的感覺。這可能是我看過(guò)的最悲情的大團(tuán)圓結(jié)局，因?yàn)檫@一刻你不僅為這個(gè)男人的命運(yùn)而落淚，也為那些從不知道自由為何物的人們而悲戚。
在剛剛落幕的奧斯卡頒獎(jiǎng)禮上，《為奴十二年》成為眾望所歸的大贏家。這部講述美國(guó)一段黑暗歷史的電影到底有何魅力，可以橫掃各大頒獎(jiǎng)禮?且聽分解。
after sweeping the award season for best picture titles, 12 years a slave’s win at the 86th academy awards on march 2 was certainly one of the most unsurprising moments of the night.
在橫掃各大電影頒獎(jiǎng)禮、拿下多項(xiàng)最佳影片封號(hào)之后，影片《為奴十二年》毫無(wú)懸念成為3月2日晚第86屆奧斯卡金像獎(jiǎng)上的大贏家。
but there must have been enough reasons why the film captivated the oscar judges and millions of viewers around the world.
而從許多方面來(lái)說(shuō)，該片都足以令?yuàn)W斯卡評(píng)委和全球觀眾心悅誠(chéng)服。
based on the 1853 memoir of solomon northup, an educated (black) freeman from new york who endured a nightmare of involuntary servitude after being kidnapped, 12 years a slave is a beautiful film about one of the ugliest and most shameful chapters of american history.
該片根據(jù)所羅門?諾瑟普1853年創(chuàng)作的自傳體小說(shuō)改編而成，故事中一位來(lái)自紐約、受過(guò)教育的自由黑人在被誘拐綁架之后，開始了噩夢(mèng)般的奴隸生涯。這部制作精良的影片揭示出美國(guó)最黑暗、最可恥的一段歷史。
different from movies such as lincoln (2024), the biopic about the man who changed the face of slavery, and django unchained (2024), a revenge fantasy in which the oppressed slave prevails over his oppressors, 12 years a slave tells a story of suffering and survival, in an honest and believable manner and with cold, dark details we rarely see on screen.
與講述林肯改變奴隸命運(yùn)的傳記片《林肯》(2024年)，以及講述黑人奴隸戰(zhàn)勝壓迫者的復(fù)仇傳奇《被解救的姜戈》不同，《為奴十二年》用一種誠(chéng)懇可信的態(tài)度以及銀幕上少見的陰暗冰冷的情節(jié)，講述了一個(gè)受難與生存的故事。
the closest comparison may be schindler’s list (1993), with its complete immersion into a historical tragedy, bringing the unspeakable into discussion.
與該片最為相似的當(dāng)屬1993年上映的《辛德勒的名單》，該片完全沉浸在歷史悲劇之中，探討了那種無(wú)法言表的苦痛。
director steve mcqueen’s images have a magic power that doesn’t allow audiences to feel comfortable for even a second. the actors, including chiwetel ejiofor as northup, lupita nyong’o as patsey, and michael fassbender as slave owner edwin epps, help construct the film’s emotional ladders.
導(dǎo)演史蒂夫?麥奎因的鏡頭仿佛有種魔力，使觀眾無(wú)時(shí)無(wú)刻不感到壓抑。包括切瓦特?埃加福特(飾演諾瑟普)、露皮塔?尼永奧(飾演佩茜)和邁克爾?法斯賓德(飾演奴隸主埃德溫?耶普斯)在內(nèi)的演員憑借高超演技將劇情一步步推向一個(gè)又一個(gè)情感高潮。
at its most profound, 12 years a slave is a captivating study of physical isolation and humanity at its most vulnerable and implacable, as ejiofor masterfully portrays northup’s fight to retain his dignity and identity.
從最深層次來(lái)看，《為奴十二年》的魅力在于它探討了種族隔離與人性是如何不堪一擊、不可調(diào)和。埃加福特精彩地演繹了為維護(hù)身份與尊嚴(yán)而奮起反抗的諾瑟普一角。
by the time you get to the last scene of the film, when a stunned northup comes home to his wife and now grown-up children after a dozen years of hard labor and captivity, he seems to have forgotten what freedom feels like. it’s probably the unhappiest happy ending i’ve ever seen, because for a moment you weep not just for this one man’s destiny but also for all those men and women who never knew freedom in the first place.
影片最后一幕中，諾瑟普在經(jīng)歷了12年的奴役生活之后，最終與妻子和已成年的孩子們團(tuán)圓，不知所措的他似乎已經(jīng)忘了自由的感覺。這可能是我看過(guò)的最悲情的大團(tuán)圓結(jié)局，因?yàn)檫@一刻你不僅為這個(gè)男人的命運(yùn)而落淚，也為那些從不知道自由為何物的人們而悲戚。
